Anselm artists compete to assemble history's most interesting pub table!
Is it possible to have a rich emotional life without being ruled by it? We ask Saint Macrina, Fred Rogers, and Saoirse the Selkie.
Four crucial pillars for reuniting faith and art.
No matter how small or great our bounded space may be in any given season, there is room to do what He has given us to do.
The Rabbit Room's Pete Peterson on his upcoming stage adaption of the classic novel and the forgotten themes behind the monster.
This piece by John Skillen of Gordon College has profoundly influenced our vision of a healthy relationship between pastors, artists, audience, and patrons.
“Till We Have Faces,” artists' retreat, concerts, and more.
Sarah Arthur shares her forthcoming book, “A Light So Lovely,” which explores Madeleine L’Engle’s complex spirituality.
Madeleine L’Engle’s spiritual legacy shows the challenges that can come with trying to show people who they truly are.
Is there still any value in a humanities major? Purdue’s Case Tompkins makes his case.
From the summer 2018 issue of The Cultivating Project, Brian Brown’s piece on the role of art and artists in spiritual formation.
Explaining the Anselm Society’s interest in forming artists. (In Cultivating Oaks Press)
Come enjoy evenings of art, of music, and of poetry, concerts by The Arcadian Wild and Matthew Clark, and our annual artists’ retreat.
In this World Cup special, Mere Orthodoxy's Jake Meador explains U.S. soccer culture's many lessons for artists.
To open the conference, Anselm Society director Brian Brown hosted a conversation with scholar Anthony Esolen and Anglican bishop Martyn Minns.
The Anselm Society is pleased to make available the audio from every lecture and panel from the conference.
The Church needs songs and genres that can build up who we are individually and communally and prepare us to be the people of God in a difficult world.
The most beloved fictional places are never seen for long before being overshadowed by fire and death from which they must be saved. But these days we need more than glimpses of the good life in our stories.
How far is too far? Is there room in a Christian creative’s journey for delving into the deep?
Madeline L'Engle wrote a classic fantasy and a theologically rich masterpiece in A Wrinkle in Time. What is that theology and how does imagination help us enter into it?