Isaac DeValois shows how the
courage of the faithful hound
from The Silmarillion ensured a
kingly line leading to Aragorn.
Viewing entries in
Reads
Brendon Sylvester reflects on
the “dark and shining” mysteries
in the poet's stunning poems.
Faith, hope, and poetry
in Annie Nardone's latest
Pages, Pints, & Pours
featuring Malcolm Guite.
Brendon Sylvester explores
how ordinary daydreaming
can redeem of imaginations
Quirky characters, steadfast
determination, and Norse spirits
in this edition of Annie Nardone’s
Pages, Pints, and Pours.
Karissa Riffel's final post in her
study of The Magician's Nephew
examines our heart's true desire
as we trust Aslan (aka Christ).
Karissa Riffel looks at dominion,
not domination, in Part 3 of
her Magician's Nephew study.
Part 2 of Karissa Riffel’s
four-part study of
The Magician’s Nephew
looks at love over selfishness.
Karissa Riffel begins
a four-part study of
creation themes found
in The Magician's Nephew.
Noah Love reviews John Mark
McMillan’s latest album in a
new column from Anselm.
Show up, slow down, and
discover that what you focus on
has the power to shape who
you are, says Matthew Clark
After all, God designed us to sing—and to wake each other up to beautiful things.
Isaac Hans introduces us to
Rebekah Blum, Anselm's
Summer 2025 Feature Artist
Annie Nardone recommends
a tale from Ray Bradbury in
her Pages, Pints, and Pours.
The wood a violin is made of
determines its voice, says
Christina Brown, pointing to
this truth: matter matters.
In this Pages, Pints, and Pours, Annie Nardone orders up an collection of elder wisdom worth sipping slowly.
Jackson Greer shares how he found solace in C.S. Lewis' The Horse and His Boy
In the latest Pages, Pints, and
Pours, Annie Nardone invites
booklovers to screen a guide
to movies compiled in 1995.
Dylan Mortimer is the
Spring 2025 Feature Artist in
Anselm Society's new column.
In the latest Pages, Pints,
and Pours, Annie Nardone
invites us back to post
WWI Paris with the
Lost Generation.