Brian, Matthew, and Terri continue to consider what elements make up corporate songs that instill confidence in its singers.
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Brian Brown
Brian, Matthew, and Terri continue to consider what elements make up corporate songs that instill confidence in its singers.
Join us as we as explore the lost art of "we" songs—hymns and ballads that connect us to God, to each other, and to the great story we're all part of.
Brian talks with the Beauty Through Faith podcast.
In this episode, Sarah, Brian and Christina delve into fantastical realms to find a healed relationship with food—and reveal how eating can literally change how we do Christianity.
In this episode, Sarah and Brian talk with Anselm outreach coordinator Caroline Williams about our episode plans for the fall.
Join us as we consider, through C.S. Lewis’s disenchanted Narnia, what it means to participate in creation as an act of worship.
A huge treat: Malcolm Guite joins the podcast!
From the decision fatigue of modern life to the machine expectations we place on ourselves, this conversation unpacks why we struggle to be present and offers practical wisdom for reclaiming the art of attention.
Interview with the author of “In the House of Tom Bombadil”
How “Encanto” opens our eyes to finding the Great Story in daily life.
You heard you’re not supposed to love the world. You heard wrong.
You’re too busy, too tired, and too distracted. But that doesn’t need to be the end of the story.
A threefold theology of how to fix our relationship with material reality.
The Anselm Society’s executive director, Brian Brown, was a guest on The Habit Podcast with Jonathan Rogers, to discuss how our creativity relates to God’s.
Places, like people, only realize their potential when they are loved.
“I didn’t just want examples, I wanted explanations.”
Shane Morris interviewed Anselm director Brian Brown on beauty in the home, hospitality, and the vision of Anselm.
A vision for a new kind of Christian artist.
Why something large and churchy sits in my living room. (Courtesy Cultivating Oaks Press)
An interview in the Circe Institute’s Forma Journal.