Anyone who has ever published or tried to publish a book knows what "comps" are. Whenever you pitch a book, agents and publishers want to know what the "comparable books" are to your books. Many authors find identifying comps both stressful and annoying, and sometimes horrifying if you find that someone seems to have written the exact same book as your book. Matt, Mandy, and Evangeline discuss both the struggles of finding comps and discuss some possible redeeming qualities of comps.
What makes a good literature remix? What makes a bad one? And what is it about some classic stories that compel us to keep remixing and retelling them over and over?
Matt, Mandy, and Christina discuss Disney movie live-action reboots and whether any (or perhaps some) of the reboots are justified.
Matt and his wife, Danielle, interview fellow Anselm Arts Guild member Amy Lee and discuss Amy's new book "This Homeward Ache" and discuss what it means that God has set eternity in the hearts of man and how longing influences our lives.
Matt, Christina, and Evangeline discuss the concept of limitations as artists. While limitless possibilities may seem like what is needed to create, perhaps the best way to create is not boundless possibilities, but limits.
Evangeline and her brother Dr. John Case Tompkins sit down with Brandy Vallance to discuss symbols and symbolic language and their relationship with the Christian imagination.
Matt talks with writer G Connor Salter about his recent article on the classic book and movie The Princess Bride.
Matt, Mandy, and Evangeline discuss cynicism in literature and what makes the difference between a good cynical story and a bad cynical story.
Christina and Evangeline chat with A.D. Rhine (Ashlee Cowles and Danielle Stinson), the writer duo behind the novel Horses of Fire.
Matt interviews Sarah Arthur about her first YA Fiction book, Once a Queen, as they discuss the intersection between faith and great literature.
Believe to See Podcast
A podcast of the Anselm Society Arts Guild. Join host Matt Mellema and a rotation of guests at the digital pub table to explore how art and storytelling matter for faith and to connect our stories, great stories, and the Great Story.