Our friends at Bandersnatch Books stop by the table to share their upcoming project: Bandersnatch Classics. They're taking underappreciated classics in the public domain, and giving them the beautiful reprinting they deserve. The Bandersnatch team discusses the value of reading old novels, and the enduring appeal of their first Bandersnatch Classic: Understood Betsy.
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Dr. Amy Hughes, a theology professor, scholar, and author joins the pub table to discuss our favorite supernatural creatures and what they have to say about humanity and God.
Join us at the virtual pub table as we discuss the pain of feeling like a weirdo, and the joy of finding our purpose (among our fellow weirdos).
In this episode, we make a surprising case: what we call “toilet humor” isn’t just childish—it may actually serve a deeper purpose in storytelling.
Joining us at the table is Jason Crawford, a professor of English at Union University, who has written a fantastic new book called God’s Fools: Saints, Prophets, Martyrs, and the Making of Modern Comedy.
At the digital pub table, we’re joined by filmmaker and culture critic Joseph Holmes to explore why the multiverse captivates us.
Joining the Anselm Society Digital Pub table is Vinicius Barbosa Pippa, a composer and conductor whose work spans film, television, and video games. He delves into his process for creating music to tell stories across many different genres.
Author and podcaster Laurie Christine discusses the ways that the Bible’s understanding of dragons can shape our stories today.
Join Mandy, Christina, and Matt at the pub table as they discuss the themes and characters of the series Stranger Things.
Courtney Ellis—author, pastor, and podcaster—joins Mandy at the pub table to discuss all things feathered (including hope) and how God speaks to our hearts through the wonder and beauty of His creation. (Find Courtney's books and podcast: courtneybellis.com)
There’s an artist who does great work. And then we learn the artist did something terrible in their personal life. Can we enjoy the art on its own terms and sift out the artist’s mistakes? Or are the artist and the art so intertwined that we can’t separate them?