When an imagined world grows successful enough, other storytellers create their own stories in it. Some are great. Some are...not so much. The hosts share their favorite examples of stories told within other artists' stories, as well as the characteristics that make them successful.
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What makes a good literature remix? What makes a bad one? And what is it about some classic stories that compel us to keep remixing and retelling them over and over?
Matt, Mandy, and Christina discuss Disney movie live-action reboots and whether any (or perhaps some) of the reboots are justified.
Matt and his wife, Danielle, interview fellow Anselm Arts Guild member Amy Lee and discuss Amy's new book "This Homeward Ache" and discuss what it means that God has set eternity in the hearts of man and how longing influences our lives.
Matt, Christina, and Evangeline discuss the concept of limitations as artists. While limitless possibilities may seem like what is needed to create, perhaps the best way to create is not boundless possibilities, but limits.
Evangeline and her brother Dr. John Case Tompkins sit down with Brandy Vallance to discuss symbols and symbolic language and their relationship with the Christian imagination.
Matt talks with writer G Connor Salter about his recent article on the classic book and movie The Princess Bride.
Matt, Mandy, and Evangeline discuss cynicism in literature and what makes the difference between a good cynical story and a bad cynical story.
Christina and Evangeline chat with A.D. Rhine (Ashlee Cowles and Danielle Stinson), the writer duo behind the novel Horses of Fire.
Matt interviews Sarah Arthur about her first YA Fiction book, Once a Queen, as they discuss the intersection between faith and great literature.
