Christmas is a joyful time, but also a tender time.
Many people carry sadness, disappointment, or guilt at this time of year.
So this week in the podcast, we will be anticipating, dwelling on, and appreciating one of the messianic promises of advent: that the good shepherd will come and lead us with compassion.
ABOUT SPEAKING WITH JOY
A podcast that explores pieces of great art and discusses how art shapes our character and our world. Hosted by Joy Clarkson, this wonderful addition to our podcast family gives listeners the chance to delight in classics you might have missed.
Join the hosts at the roundtable as they talk about their favorite obsessions: the art and artists they love so much, they want the world to love them too. What does this impulse say about the impact of art on our hearts? How can shared (or not shared) affinities shape community?
Join us as we consider, through C.S. Lewis’s disenchanted Narnia, what it means to participate in creation as an act of worship.
Whether you’re a new novelist, an experienced novelist, or not a novelist at all, there’s something to learn from the intricacies of story structure. Author Elisa Lambert joins the table to discuss it.
Bryan Engram, co-founder of Brazen Animation, explains the building blocks of effective gameplay and how to use those blocks to create a compelling story.
A huge treat: Malcolm Guite joins the podcast!
Join us as Matt and Mandy battle it out to determine which book is better -- The Great Gatsby, or To Kill a Mockingbird.
From the decision fatigue of modern life to the machine expectations we place on ourselves, this conversation unpacks why we struggle to be present and offers practical wisdom for reclaiming the art of attention.
Author Jennifer Layte is a firm believer in the power of story to draw us closer to Jesus and closer to an understanding of who we are. Join Mandy and Jenn at the pub table as they discuss story, nicknames, and Jenn's latest book, Follower: How Getting Close to Jesus Brings You to Yourself.
Mandy asks her cohosts to consider: why do some of us gravitate toward sad art when we're already sad? What is the purpose and value of art that's a little bit (or very much) heartbreaking?